Interview: Meredith Monk by Brian Howe

"I always wanted to push through to new ways of doing things in relation to the human voice, the most ancient instrument. I had a feeling of its primal power. At the same time, I was also working with combining these different elements into one form. A lot of people weren’t working that way. I feel like I was always trying to work between the cracks of what we think of as art-forms to find another form."

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Interview: John Luther Adams by Brian Howe

"It’s funny, this is only the second time I’ve used my field recordings in a finished piece, although I have hundreds of hours of them. I don’t often use that material itself. Maybe it’s partly out of reverence for the sounds themselves and the forces or animals that make them. Maybe it’s because I’m trying to create something that is somehow a parallel world; that, as Stieglitz the photographer would have said, is some kind of equivalent, not the thing itself or an illustration of it."

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A Durham Story by Brian Howe

Last night I was alone on Parrish Street, waiting. I stood under a streetlamp, yo-yo-ing. It was very misty and cool. Out in the country, the storms had felled trees, but the city just looked washed. Eventually, a couple came walking down the other side of the street. “A guy with a yo-yo,” the woman exclaimed, half to the man and half to me. “That’s so Durham!”

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